Jan Klata stages AD 2017 in a perpetually reconstructed landscape with scaffolding, tree stump, and empty chapel. City-dwellers clash with spirited "folk" characters, uniting only in trance-like dance. Musicians with blackened faces stand on pedestals, their music half-mocking, half-serious, while Maćko Prusak's choreography builds to ecstatic moments before characters sink into lethargy, endlessly awaiting a sign.